creative license

Quality time is cheap

When your current daily inspiration is a 60p gridded A6 notebook from Muji. I love nice paper and beautifully bound books that collect precious sketches. I even made a point to back the latest edition of the Perfect Sketchbook with it's lovely leather hardbound body filled with the finest Italian watercolor paper. But that won't be arriving for some months! In the meantime I have been finding myself getting too precious about my Moleskine watercolor sketchbook and as a result my work suffers. Time to spend some quality time with a cheap sketchbook and get back to obsessive low pressure sketching and what caused me to start drawing again in the first place. Thin (but surprisingly sturdy) paper. Not precious. Loving it. 

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Alone

Finding myself already counting down to our next vacation. On vacation in new countries I don't expect to know anybody and don't have the chance to feel bad. Here in England when I go out and am around people it is the worst because at home I know people back home through online. But out there I know nobody. Feeling alone in a crowd feels like a horrible party every time I go out of the house. It rarely bothers me I'm so busy and preoccupied with making art and growing my skills and business, but when it does ouch! Summer might me difficult for me. 

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Why do I sketch?

I fill about a sketchbook a month these days. When I am done they go on a shelf in my studio and I look back on them often. My children look through them and I show them off to friends and other curious people. This number doesn't include the "extra" books I keep around. Why do I do it? Why do I use precious paper and other materials for plenty of less than perfect pages? Because if I don't I grow stagnant and miserable. Because the process is how I grow as an artist and as a person. Because my sketchbooks are important. I admire other artists that keep active, consistent yet varied and adventurous sketchbooks. It is a tricky balance for sure to develop and maintain a style while continuing to push yourself as an artist and experiment. As I try to break out of my sketchbooks a bit more and feel comfortable doing pieces for the public rather than for myself I know that making time for my sketchbooks is something that needs to come first in my art life. No matter where I am at in life I will always sketch.

The first page of every sketchbook starts something like this. Thank you  Liz Steel  for helping me get over first page jitters.

The first page of every sketchbook starts something like this. Thank you Liz Steel for helping me get over first page jitters.