After fixing my pen I got a lot of drawings done and am now nearly finished with my Doodle Book. It is a satisfying book to thumb through because I have been working on it slowly but steadily for months now and the book actually dates back a few years and has some old sketches from back then in it as well. They are so bad! Such bad drawings. I get discouraged drawing easily and often, especially when I look at all the talent and success on Instagram. But all I need to do is look at myself and know that I will get there. I have already come so far. The art on Instagram is super inspiring and I am so glad to be following all these talented artists. But I can't let intimidation rule. Keep going. Keep working hard and I will get where I need to go.
Tired. Keep going.
I was tired and wanted to go to bed as soon as the kids went to bed. I wanted them to go to bed early so I could go to bed early. Then they ended staying up drawing together in their room so I wandered back to my studio to tinker with some paintings. I am glad I kept going. Once I get through my to do list I will start putting watercolors up on my Etsy shop. I am nervous about listing these new creation as I still very much consider myself a student when it comes to watercolor. But I was a student with printmaking too not all that long ago.
Why do I sketch?
I fill about a sketchbook a month these days. When I am done they go on a shelf in my studio and I look back on them often. My children look through them and I show them off to friends and other curious people. This number doesn't include the "extra" books I keep around. Why do I do it? Why do I use precious paper and other materials for plenty of less than perfect pages? Because if I don't I grow stagnant and miserable. Because the process is how I grow as an artist and as a person. Because my sketchbooks are important. I admire other artists that keep active, consistent yet varied and adventurous sketchbooks. It is a tricky balance for sure to develop and maintain a style while continuing to push yourself as an artist and experiment. As I try to break out of my sketchbooks a bit more and feel comfortable doing pieces for the public rather than for myself I know that making time for my sketchbooks is something that needs to come first in my art life. No matter where I am at in life I will always sketch.
The first page of every sketchbook starts something like this. Thank you Liz Steel for helping me get over first page jitters.
Perfection. I don't have it.
Some artist's seem to attain perfection in every sketchbook page. Andrea Joseph is an example of this type of artist. She hosted the most recent week at Sketchbook Skool and I found putting on her skin and drawing with a ballpoint pen for two days to be too much for me. She's a wonderful and super talented artist but her sketchbooks are far too perfectly composed for how I work. For me sketchbooks are to work out problems, record events and try things out. And for that I need freedom to mess up. Good for her for sure but I need to find my own way. But I can still enjoy her beautifully rendered drawings of often humble objects.
Ball point pens drawn with ball point pens. I'm sure if I tried this I would end up with a smeared mess on my hands.