A 365 art challenge for 2017.
It's a sickness I allow as long as it doesn't get in the way of creativity. Now that I have a better idea what I like I have put some severe limits on what I add and am starting to put away, sell and gift what I am not using. Mostly I just focus on drawing and painting every day. As much as I strive for minimalism I often fall short, especially when it comes to art and stationary supplies. This little box I got in London when I first moved to the UK and was waiting for my supplies to arrive from Boston via boat shipment. Now it is a contained collection of everything I need to get to art making. Usually in the living room while I watch TV with my husband in the evening. What is your shopping weakness if you have one?
Since summer I have been having a love affair with my Midori Travelers notebook. Scribbling away in it, taking notes, journaling, sketching and even painting. It all fits in the books that I have bound with elastic into a sturdy leather flap. It certainly helps that the Midori paper is so great with fountain pens and even watercolor. My sketchbooks change all the time and often get left behind on busy days, but my traveler's notebook comes everywhere with me. Do you have a notebook that you carry with you everywhere? I would love to hear what other people are doing with their Midori Traveler's Notebooks and sketchbooks.
I am a bit of a collector and a tinkerer. My collection of watercolor palettes has led me to some tinkering. Yesterday after scrambling to grab my painting supplies so I could paint in the dining room with my kids I decided to hack up a neglected palette into something more workable for that task. First I removed the rather heavy metal insert that holds the pans of paint inside and instead used blue tac to place 22 half pans in my favorite most versatile colors inside. That left room for a couple of brushes, a water brush and a pencil. Put one of my wrist cuffs sock rags at the bottom and the brush tips are protected. Kit complete? Not until I removed the mostly annoying flap from the bottom.
Meet my new and improved palette! I love it!
We are heading to Paris next week for the first week of our spring break and I am planning my sketchkit for the trip. I want to stay fairly minimal and not put too many choices on myself on what to use each day. Most days I will be with my family and sketching light therefor traveling light, but I have one lucky day in Paris by myself and can bring a more robust sketching kit on that day. What would you bring? My basics these days is a sketchbook that is big enough to comfortably use yet small enough to comfortably carry, a watercolor kit with a minimum of 14 mixing colors, a fountain pen with waterproof ink, a mechanical pencil, water brushes and a brush pen. We got a new camera for this trip and upcoming trips and I will be taking photos and using them as reference when I get back to my studio.
It's lovely here in Oxford now that we are no longer tripping over each other in temporary housing. Just tripping over boxes, but we are making progress moving in and prioritizing certain rooms over others. I could get used to this living room view and space.
My studio is comfortable and I was able to spend the morning painting. It's a good life out here.
That is what my life here is here as we wait for our stuff to arrive so we can move into our apartment. Over a month in temporary housing and our furniture and possessions just arrived and now we begin the hard work of unpacking and moving in. We got rid of a ton of stuff when we left Boston, but apparently not enough!
We are happily going car free in the UK, but for our first two months here the company that moved us out here is paying for a rental car. Being so sick for weeks on end has meant that we haven't been able to use the rental for the little road trips that we planned. Until this past Sunday when we went to Stonehenge! Over a million people pass through the Stonehenge site every year despite it being a bit of a pain to get to if you don't have a car, and still a bit of a pain with a car. But it is only about an hour and I could finally breathe without breaking into a coughing fit or gagging, but I wasn't ready for a trip to London. So we piled in the car and went to Stonehenge and it was really cool! They have very few signs for it along the way and we lost our wireless directions halfway there but we knew we were going in the right direction when we saw a bunch of big rocks arranged in a circle from the highway. From there we headed to the visitor center and took a shuttle bus to Stonehenge. I am typically not a fan of those little recorded devices that museums give out or sell but they gave them to us and they seemed to really help the children get into the idea of seeing a bunch of big old rocks. I grew up seeing Stonehenge in every history book and now I have seen it, sketched it and taken a selfie with my family in front of it. Next weekend we are going to London! Another one hour road trip.
Watercolors are finally finding their way into my Etsy shop. Because I am good enough and there is no reason to keep waiting. I've been painting since March and still feel like I am learning how to handle the medium and my prices reflect that learning stage. On January 5th the movers are coming to pack us up and send our belongings across the ocean. My shop will close on January 4th and won't reopen until I am settled in the UK, probably sometime in February. Locals can find my work for sale at Hatched through Christmas and New Years.
It takes so much practice to get to the point where the work looks effortless. I'm not there yet, but I can tell that I am on the correct path finally.
I'm grooving with my paint and watercolor this weekend. Hard to pull myself away to blog or do anything else. Everything seems to be clicking into place after much hard work and failure. I credit a lot of my progress to sticking with #inktober and now I am going to stick with blogging.
My name is Marissa and I am an art supply hoarder. Often hoarding my best supplies because I don't feel good enough to use it. This problem is especially strong when it comes to paper. As a printmaker and now a watercolor painter paper is my canvas and my most expensive single supply. And unlike canvas I can't simply gesso over failures and try again. With prints and with watercolor I am stuck with whatever I make the first time. No more hoarding my good paper. I will use my watercolor paper blocks every day and break myself out of my sketchbooks and out of my rut. My first block or a Arches is on its way but I need to use up this before I'm allowed to use it.
Not sick, just tired and my studio is cold and not currently very inviting. Hard to stay motivated when I want to hide under the covers and nap. Instead I will make some tea and paint.
My paint pallet, brushes, ink and pen collection has exploded recently. They bring me joy to use and I do indeed use them. Experimenting with a new color or brush is always fun, but can I master them if I am constantly trying something new? Paint more.
Drinking tea while listening to the wind and rain while painting in my cozy studio. Sunshine is great but sometimes I need the excuse to stay in and work indoors. Loving this stormy weather.
I was tired and wanted to go to bed as soon as the kids went to bed. I wanted them to go to bed early so I could go to bed early. Then they ended staying up drawing together in their room so I wandered back to my studio to tinker with some paintings. I am glad I kept going. Once I get through my to do list I will start putting watercolors up on my Etsy shop. I am nervous about listing these new creation as I still very much consider myself a student when it comes to watercolor. But I was a student with printmaking too not all that long ago.
I fill about a sketchbook a month these days. When I am done they go on a shelf in my studio and I look back on them often. My children look through them and I show them off to friends and other curious people. This number doesn't include the "extra" books I keep around. Why do I do it? Why do I use precious paper and other materials for plenty of less than perfect pages? Because if I don't I grow stagnant and miserable. Because the process is how I grow as an artist and as a person. Because my sketchbooks are important. I admire other artists that keep active, consistent yet varied and adventurous sketchbooks. It is a tricky balance for sure to develop and maintain a style while continuing to push yourself as an artist and experiment. As I try to break out of my sketchbooks a bit more and feel comfortable doing pieces for the public rather than for myself I know that making time for my sketchbooks is something that needs to come first in my art life. No matter where I am at in life I will always sketch.
After five days up in the middle of nowhere focusing on art adjusting to being back to the city is a bit of a challenge. The city is loud and dirty with too many people. Yesterday I went to the Arnold Arboretum to sketch and get away a bit and I had a really hard time connecting with nature with the sound of the cars outside and all the people walking around. As soon as I would start to relax and sketch a woman would walk buy with clicking heels or an off leash dog would get in my face. I did manage to find a good location to sketch with minimal interruption, but it will take me a little while to get used to being back in the city.
One more sleep at home in Boston. On Wednesday morning I leave for Maine and will get to spend five days at Haystack. But my art life has been full since before Haystack. Just this past weekend I got to take a Japanese Printmaking workshop at the local Elliot school and it was great fun, intense work going from sketch to block to print all in a too short weekend. But I learned so much and I do want to do more with it now that I understand the basics of the technique. Carving the block was basically the same as I now it, but printing was completely different. Very painterly and flexible which was great fun. But with the ticking clock of the water based inks quickly drying out stressing me out. I came home exhausted both physically and mentally both nights. I have six original prints to show for the weekend and an itch to make more. The woodblock printing that I am much more familiar with is western style printing on various papers with oil based ink and a printing press. No painterly fun like the Japanese moku hanga, but also once I lay out the oil based ink to work with it is good all day long with little risk of it drying out. I would love to print these blocks with my oily methods to compare, but then I wouldn't be able to go back to the waterbased inks.
I took about a dozen watercolors to Open Studios and I sold about half of them. JP Open Studios was a market test for the watercolors to figure out if I should keep at them and how to price them and the answer was yes keep going! JP Open Studios was fabulous fun this weekend as I love connecting with my community. And I love sending original artwork out in the world. Thank you to all those that have supported my fresh start these past months by reading my blog, offering feedback and buying artwork. I will be putting watercolors up on my Etsy shop as soon as I can get new work made, scanned and listed.