Now that Open Studios is over with I can start planning for the next big event(s) in my art life. On Monday I completed sketchbook #6 and started sketchbook #7 and them almost immediately felt sketchbook paralysis. Not on the first page since I start the first page the same every time with a collection of colors, my name and number and a quote to inspire me. But after page number three or four I started to feel blocked. The perfect cure was a walk around the Arnold Arboretum here in JP collecting fallen leaves. Now I need to paint them and their gorgeous fall colors in my sketchbook before they all turn brown! Following that is a workshop on Moku Hanga Japanese printmaking workshop at the Elliot School here in JP this weekend. Back to printmaking I go but with a big change in learning a new technique that I have been interested in for years now. In a week I will be in Maine...
August is filled with my kids being both home full time for summer and carting them all over for various activities. But in September getting out there with my artwork begins again. I'll be hanging my work at Hatched here in JP for the month of September and will be there on First Thursday. Looking forward to meeting people there. Then I am registered for a Moku Hanga Japanese style printmaking class at Elliot that I have been wanting to take for years. Now I still long to take lessons from Annie Bisset my moku hanga hero, but I can't make it out to Western Mass but I can walk to the Elliot school here in JP. I only have to wait until the last weekend of September. The weekend before that is Jamaica Plain Open Studios and the first week of October I am going to Haystack with Mass Art. I'm so excited about all the upcoming events.
For August I have a blank sheet of note paper on my desk ready to be filled with notes and scribbles. I took a few pictures of my old one and stored those pictures in Evernote after I spilled paint on it and had to rip it off.
Some artist's seem to attain perfection in every sketchbook page. Andrea Joseph is an example of this type of artist. She hosted the most recent week at Sketchbook Skool and I found putting on her skin and drawing with a ballpoint pen for two days to be too much for me. She's a wonderful and super talented artist but her sketchbooks are far too perfectly composed for how I work. For me sketchbooks are to work out problems, record events and try things out. And for that I need freedom to mess up. Good for her for sure but I need to find my own way. But I can still enjoy her beautifully rendered drawings of often humble objects.